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[Throughout 2018, we have committed to publishing a selection of poems from each month of Ian Boyden’s manuscript “A Forest of Names.” Over the course of a year, Boyden translated the 5,196 names of schoolchildren crushed in the 2008 Sichuan Earthquake. He then began a collection of poems, each written on the day of each child’s birth. An in-depth discussion of these poems can be read in “Fault Line: An Introduction to A Forest of Names.” —Eds.]
The installation of Ai Weiwei: Fault Line at the San Juan Islands Museum of Art (2016), curated by Ian Boyden.
MARCH 1
顥 Luminous White
Its etymology invites the mind: the luminous setting of a piece of paper.
MARCH 2
冰 Ice
The archeologists pulled an ancient stone from a hollow in the mud, one of the five divine beasts carved by Ice, a man who walked the earth when we were not separate from it.
Ice had been tasked to tame the spring floods that carried away fields, temples, houses, and children when the river could not fall as fast as the weight of its heart.
They chose him because his name was a frozen river. He carved a new channel, split the river in two, cut trees, split stone, sacrificed an entire mountain home to birds and wild boars.
And after he split the river he took the bones of the mountain and carved them into Zhulong, boar-dragons whose skin mirrors whirling water and who speak liquid’s language.
Ice placed these beasts in the river to calm the rage of its melting self. Somewhere in the wordless dark he was aware too of his melting self.”
Part of us is always melting, just as part is always forgetting. The people cried to the archaeologists to leave the beast in the mud, at home in the river bank.
For two thousand years they burned incense, rubbed it with oil, poured wine upon its shoulders as it met the spring floods, and tamed the hands that carved it.
Among the rooms of national treasure, the river couldn’t find its gods. Its belly misses the vortex of words gods spoke to soothe the river rising with spring melt.
Not finding it the river spills its banks frantic to call it home.
MARCH 4
思宇 Universe of Thought
Always hovering like a field suspended above the heart.
But what held the thought aloft was no match for the shelter of its finality.
MARCH 7
忠亮 Resonant to the Center of the Heart
Each hour of spring brings yet another color of sound. The valley’s ringing
rises over the last notes of snow.
MARCH 10
羽雪 Feather Snow
This name is so quiet. It waits for the wind.
The child’s down pillow still waits for its dreamer.
MARCH 11
宇涵 Saturated Universe
A lifetime of letters spilled into the Min River.
Helpless to gather them she drank the ink-blackened water.
MARCH 12
鳞峰 Fish Scale Mountain Peak
They were all born among dancing stones— like sparks in dry grass.
MARCH 14
懷平 Harbor Peace Within the Heart
When we hold a child to the drumbeat within us, a scale stands balanced.
Around the drum, drifts the smoke of another day.
MARCH 17
晨雨 Daybreak Rain
We blackened the first brush tip to draw this very image. We haven’t set the brush down since. She was five.
MARCH 18
泉誠 Spring of Sincerity
The child-who-was stepped from the cage of his name to greet his memory.
This memory-self was dispersed among those who remembered him, perhaps as a stray mark somewhere, as a number, as a name on a wall, yet fading, each day fading.
Strangers to one another, the child-who-was and his memory looked at one another,
each opened his mouth to speak, but instead of words, water flowed and those who listened gasped
at the water’s changes. Topaz, tourmaline, glacier-gray moonstone, now boiling over, now barely a trickle. Topaz, tourmaline, glacier-gray moonstone. How to listen to, how to understand such a language? They dipped their hands into the current, what was said washed through their fingers. They took sips, held the water on their tongues. They washed their faces, felt it evaporate from their foreheads. But they could not understand, they could not make sense of that which was free of deceit.
And then another mouth opened and swallowed the conversation— topaz, tourmaline, glacier-gray moonstone—
swallowed it whole into the broken earth all mouths share.
MARCH 19
雨波 Rain Wave
He was born between ridgelines carved by centuries of rain, in a ravine carved by those same centuries’ rain.
Language flows as water cuts. Names gathered in the raw shadows: Wild Ox Ravine Peach Barrier Ravine Grindstone Ravine Mouth of the Forest Ravine Wave Harbor Drum Ravine Golden Wave Temple Ravine Ocean Child Ravine Echoing Water Ravine White Mud Ravine
Ravines filled with waves— waves of cedar, waves of bamboo, waves of bird song above the fallen stone, waves of moss and children’s dreams,
waves of silence, mist, and rain.
MARCH 24
莎莎 Katydid Katydid
A moon polished by fine sand listens to the autumn night, an oscillating song glowing green as the singer’s body.
MARCH 29
雨佳 Auspicious Rain
It fell impartially only to become a torrent known as the River of the Mountain People.
It flowed as both river and prophecy.
It was here the mothers gathered, lifted handfuls of water, let it fall as rain again,
its message irreducible.
MARCH 31
海 Ocean
His name was both a boat and the medium upon which it drifted.
A white boat dissolved into the white horizon.
Read more from Ian Boyden’s “A Forest of Names” in the following links:
“Introduction to ‘A Forest of Names'”
A Forest of Names — January selections
A Forest of Names — February selections
A Forest of Names — March selections
A Forest of Names — April selections
A Forest of Names — May selections
A Forest of Names — June selections
A Forest of Names — July selections
A Forest of Names — August selections
A Forest of Names — September selections
A Forest of Names — October selections
A Forest of Names — November selections
A Forest of Names — December selections
“Fragile as an Urn: An Interview with Ian Boyden”
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